Vertical bands of green, blue and acid yellow collide in a composition that feels half-landscape, half-construction site. Painted and collaged planes lean into one another, creating a shallow, unsettled space where colour behaves like architecture under stress. A muted grey core interrupts the chromatic charge, acting as a pause - brief, uneasy, and entirely intentional. Gamberini keeps the structure upright just long enough for doubt to creep in.