la question du regard en philosophie. Devinas, Didi, le regard aveugle, texte sur le jardin d 'eden (la tunique de l'oeil), le regard interieur, Bartenieff, rolfing, the gaze, spacious, seeing the space, le desir - horizon, le regard cinema pointer un angle de vue, montage d'une perception en action, Eros, l'oeil et l'esprit, bataille, l'imagination 

I started doing artworks on movement analysis in 2000. As soon as I started my fine art studies at ENSAPC, I discovered the language of avant-garde practices of dance. The influence of the Judson Church and exploration of authentic movement expression in space started its way in the  beautiful curved dance studio of the school, where we were guided to explore all improvisation techniques of the contemporary world. We met incredible dancers and choreographers with who we collaborated as Alain Buffard, Trisha Bauman, Simone Forti, Latiffa Labissi, Boris Charmatz, Simon Ecquet who introduced us to the work of Laban. That was a huge turning point in my desire to understand movement in space as well as embodying myself as a live art performer artist researching to create my own language of gestures, made of memory, the relation to textures, poetical mind, spacious connections, orientations. I started to analyse the walking pattern, our most common human trait which to be veryical on two feet, hands expressions that touch the world, connect with the sensorial world and the gaze. All of these lead me to the world of affects. Georges Didi Huberman started to become a big influence in the philosophical ethic of my research and I started to go on a path to study anatomy until i became a specialist in Rolfing in London in 2014.

PHOTOGRAPHER OF HUMAN GRACE 

THE MULTIPLICITY OF BEING

I am performing in front of my camera because I can and I want to show the results of my embodiment in my body. Presence is something that seems ineffable, but I dedicated myself to studying it with my own body, rather than trying to represent its shapes. I trained my body and mind with endless work and experimentation with movements, expressing, and many types of dance styles and improvisation techniques. I became an expert in body alignment through movement and the interconnection with our perception that changes instantly our inner world and the way to absorb our environment, relationships to the world and others. I became a Rolfer (an outstanding method that brings clarity to oneself about how to align oneself with integrity around the gravity center). I became a choreographer and performer. I write with the movement of the bodies and also the mind, which are to me the same thing, since what I write is what my body feels.

I direct, choreograph, shoot dancers, or simply find the right time of their most expressive, abandoned presence that illuminates their presence without being grabbed by the representative image of themselves while they move with themself in intimate pleasure.

I do the same with actors and anyone from my encounters, to people on the streets

Walking human beings
Swimming human being
our haptic fee contact the earth
move the water to propulse us forward
feet are the extension of our vision