I started doing artworks on movement analysis in 2000. As soon as I started my fine art studies at ENSAPC, I discovered the language of avant-garde practices of dance. The influence of the Judson Church and exploration of authentic movement expression in space started its way in the  beautiful curved dance studio of the school, where we were guided to explore all improvisation techniques of the contemporary world. We met incredible dancers and choreographers with who we collaborated as Alain Buffard, Trisha Bauman, Simone Forti, Latiffa Labissi, Boris Charmatz, Simon Ecquet who introduced us to the work of Laban. That was a huge turning point in my desire to understand movement in space as well as embodying myself as a live art performer artist researching to create my own language of gestures, made of memory, the relation to textures, poetical mind, spacious connections, orientations. I started to analyse the walking pattern, our most common human trait which to be veryical on two feet, hands expressions that touch the world, connect with the sensorial world and the gaze. All of these lead me to the world of affects. Georges Didi Huberman started to become a big influence in the philosophical ethic of my research and I started to go on a path to study anatomy until i became a specialist in Rolfing in London in 2014.