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Van Every/Smith Galleries at Davidson College

Van Every/Smith Galleries at Davidson College

Davidson, NORTH CAROLINA

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No More Q and A by Mark Thomas Gibson
  • Mark Thomas Gibson
  • No More Q and A, 2020
  • Ink on paper
  • 22 x 30 in (55.88 x 76.2 cm)
  • Framed: 31.5 x 39.5 in (80.01 x 100.33 cm)
  • Inv: 2022.14.3
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Gift of John Andrew MacMahon '95


In No More Q and A from a series of black-and-white ink and collage works, Mark Thomas Gibson explores contemporary American culture through a comic book vernacular, drawing on his multifaceted identity as a Black male, a professor, and an American history enthusiast. The artists take inspiration from President Trump’s inauguration and the Unite the Right rally in Charlottesville, VA. This artwork illustrates chaos with numerous male hands grabbing items from different directions. Gibson incorporates death, demons, and violence to critique the current administration and white supremacists. His illustrations convey a clear notion of right and wrong that is emphasized by the work’s binary color palette.

Bibliography

From Pandemic to Protests exhibition website

Van Every/Smith Galleries Blog: NEW ACQUISITION: NO MORE Q AND A by Gaby Sanclimenti ’25

  • Subject Matter: Narrative
  • Current Location: Collection Storage - Hanging Storage
  • Collections: Africana Studies, Drawing, John Andrew MacMahon '95 Collection, Social Justice

Other Work From Van Every/Smith Galleries at Davidson College

Clark Kent, 2001 by Gene Merritt
On the Way to Lakeside by George Raymond Kerciu
People Walking, Fifth Avenue, N.Y.C. by Louis Stettner
Reverend Isaac Thomas, Rose Hill Church by William R. Ferris
Reverend Isaac Thomas, Rose Hill Church, Fisher Ferry Road, Warren County, Mississippi, 1975 by William R. Ferris
Folded Paper Clip by Richard Smith
Space Walk by Herb Jackson
Study for Sculpture II by Seymour Lipton
Jimmy Durante by Philippe Halsman
Untitled (from "People of Color") by Joyce Tenneson
See all artwork from Van Every/Smith Galleries at Davidson College