In "Riflessi (Reflections)", layered planes of green and blue behave like unstable surfaces, catching and distorting light rather than containing it. A diagonal band cuts across the composition, setting up a quiet optical tension between depth and flatness, opacity and translucency. Brushed oil paint slips between fluid passages and denser, scraped areas, while the collage elements interrupt any illusion of continuity. What emerges is not a mirror, but a shifting field - reflection as a process, never a conclusion.