Betsy Jacks
artist, writer, and Executive Director Emerita of the Thomas Cole National Historic Site
MessageBetsy Jacks is a visual artist, writer, and Executive Director Emerita of the Thomas Cole National Historic Site. Her paintings have been exhibited in New York City and in the Hudson Valley, and her written work has been published by both academic and commercial presses.
Jacks’ artistic career began with her degree in both art history and studio art at Duke University. After moving back to New York, she studied and exhibited at the Art Students’ League and was included in the Whitney Museum staff exhibition in 2000, 2001 and 2002. She established a practice in Williamsburg, Brooklyn, where she exhibited in local venues and sold work to private collectors. Since moving to the Hudson Valley, she has exhibited at the Arkell Museum, Joust and Brik Gallery in Catskill, LABspace in Hilldale and other venues, and her work is in the collection of the Albany Institute of History & Art.
From 2003 through 2024 she was the Executive Director of the Thomas Cole National Historic Site — an art museum and historic home of a 19th-century artist in New York’s Hudson Valley that she transformed from an unknown house museum with no professional staff into an international destination with 20 staff, a campus of six buildings, and an annual budget of nearly $2 million. During her two decades at the historic site, she oversaw the curation of twenty-five art exhibitions, publication of thirty books, restoration of three 19th-century buildings and construction of two new ones. Her essays and forewords have been published by The Monacelli Press in New York, Hirmer Publishers in Munich, Yale University Press, Cornell University Press, and The Artist Book Foundation. She is an experienced public speaker and has presented at the Paul Mellon Centre in London, The New-York Historical Society, the American Association of Museums annual conference, The Albany Institute of History & Art, and many other museums and societies. She is frequently featured in documentary films, TV news, print media and radio programs and is an annual guest on WAMC Northeast Public Radio.
In 2020 she was appointed to the New York Museum Regents Advisory Council, which offers advice and consultation on issues of policy and service to museums across the State. She is also the Vice-Chair of the Hudson River Valley Greenway, created by New York State to develop a regional strategy for preserving scenic, natural, historic, cultural and recreational resources; and she is on the Management Committee for the Hudson River Valley National Heritage Area, which collaborates with government agencies, non-profit groups and private partners to interpret, preserve and celebrate the nationally significant cultural and natural resources of the Hudson River Valley.
Between 1999 and 2003, Jacks was Director of Marketing at the Whitney Museum of American Art. In 1997 she earned an MBA in Marketing from the Kellogg School of Management at Northwestern University, where she received the Dean’s Service Award for creating a new student-run organization, Culture Connection, which brought business school students to cultural events in Chicago. Prior to attending Kellogg, she managed exhibitions at a 57th Street gallery of contemporary art and worked with the start-up non-profit, GEN ART, now a leading arts and entertainment company. She currently lives in Chatham, New York, with her husband and two daughters.
Statement
My work during the last decade is sourced from trees, both those depicted by the 19th-century artist Thomas Cole and those found in the Hudson Valley where I live. I believe that Cole anthropomorphized his trees in order to use the viewer’s natural empathy for humans and animals to create a new empathy with nature as a whole and thereby advance his proto-environmentalist views. In my work, trees serve as vessels for the viewer’s assumptions about age, beauty, knowledge and strength in order to explore those norms and beliefs. In my experience, both in museums and in the studio, tree-based imagery has the power to bypass our learned cultural and societal biases and expose those biases to ourselves.