In this "Untitled" collage from 2004, Ruggero Gamberini layers oil paint across paper in broad, weighted planes, allowing colour to behave architecturally rather than descriptively. Earthy blacks and browns anchor the composition, while flashes of red, ochre and chalky white cut through the surface like structural interruptions. The work balances gesture and restraint: brushstrokes remain visible, but never indulgent, suggesting a landscape that has been stripped of geography and reduced to rhythm, mass and tension. It feels less like a view and more like a memory of one - compressed, sedimented, and slightly unsettled.