With a minimalism approach, Randazzo's photographs - mostly macrophotographs - go through a post-production process that, beyond the uncontrollability of the camera, allows the removal of all accessories. Only in this stage of purification, and after a long moment of concentration and meditation, does the "dance" of the brush occur in some works, the spontaneous stroke that highlights the unrepeatable nature of the creative process.
......................

Diana Randazzo, Rosario, Province of Santa Fe, Argentina.
She currently shares her workplace between Rosario and CABA.
In 1979 she received the National Degree in Visual Arts at the UNR.
She attended workshops on art clinics with Eduardo Médici and Horacio Zabala.
She updated her knowledge of Contemporary Art in seminars and concept clinics with Laura Batkis, Julio Sanchez and Elena Oliveras in CABA.
She exhibits her work, uninterruptedly from 1982 to the present, within the country and abroad. Her beginnings were with oil painting, she continued with acrylic applied with an airbrush, going through various techniques and mixtures, with technical experimentation being one of her greatest plastic interests.

Today, it is especially expressed using the digitally manipulated photographic image, often manually (an act that turns it into a unique copy), sometimes building installations and objects, in an endless creative game... but, maintaining the position of making the immaterial part of the human being visible, in a non-religious spirituality, which constitutes the ancestral attempt of man to know himself.